Dark App Store screenshots
54 App Store screenshot sets with dark backgrounds across the sequence, from Flighty, (Not Boring) Camera and Raycast. Common techniques: repeated layout, photography and oversized interface.
Tactile camera controls and photographic results fill dark panels with short white headings.
Original artwork and drawing controls fill complete phones on black, without additional promotional headings.
Full-frame photography demonstrates editing effects beneath a compact black heading strip.
A record-filled opening leads into a black-and-white interface tour, with album covers supplying color.
An angled phone bridges the colorful opening, followed by dark screens and prominent numerical claims.
Orange keyword highlights tie together dark brewing screens, watch views and a large scale reading.
A black background and illustrated leaves frame large plant photographs, care controls and community cards.
Mixed serif and sans-serif headlines sit above full-height photographs and a reveal-in-progress grid.
Bright vector artwork extends beyond phone screens against a consistently dark background.
Small feature symbols and centered phones make a restrained tour of photo sharing on dark backgrounds.
Changing forecast colors distinguish full phones, map crops and widget groups at different scales.
Photographic examples bring color to a dark sequence of camera controls and processing options.
A continuous blue night-sky background connects lunar charts, maps and multiple device views.
Photography of listening gives way to dark screens, sound sculptures and compact monospaced captions.
Colored keywords and floating interface cards connect dark panels explaining different interruptions to scrolling.
Warm photography introduces a predominantly black sequence of meditation and breathwork screens.
Podcast artwork forms a dark background behind large phones, with an angled device spanning the opening.
Textured camera-like frames surround photographic examples, with pixel-style headings continuing the hardware metaphor.
A hand-held phone crosses the opening panels before a dark tour of sky maps and astronomy features.
A dark background with an orange glow ties together activity maps, statistics and watch views.
Blue panels connect tide charts, watch faces and widgets, using scale changes within a consistent palette.
The interface fills every frame, letting calendar typography and theme colors explain the product without extra headlines.
A travel photograph connects the first two panels before dark screens and floating travel details take over.
Condensed headlines and bright green accents connect payment interfaces with photographic settings.
Lowercase headlines over a dark teal glow run through angled and paired phones, closing on floating review bubbles instead of an interface.
A uniform purple gradient carries tilted and stacked older phones, with lavender headlines and a closing frame of oversized type.
A hiker photograph opens a dark sequence of topographic line backgrounds, green headlines and map panels enlarged beyond the phones.
Dark frames with spaced uppercase labels mix a cropped camera viewfinder, a diagonal before-and-after grade split and a rotated landscape phone.
Near-black frames repeat a centered white headline over a dark phone outline, keeping the product's monochrome interface unbroken from inbox to lock screen.
Dark frames with faint text texture carry tilted phones, a large reading-streak ring and press logos that open and close the sequence.
A tilted phone and bold LEARN TO CODE title open a deep purple set where code tags, badges and a robot mascot surround screens.
Charcoal frames with two-tone headlines hold full-bleed video portraits, while carousels of clips and templates spill beyond the phone edges.
Condensed uppercase headlines and athlete photography cross the first frames, then give way to black panels with older phones and a watch.
Black frames repeat a large phone with the photograph as the whole screen, and a spaced uppercase label and caption below.
Black frames repeat a centered two-line heading above a single phone, letting muted mountain imagery and sleep charts carry all the color.
An illustrated scene with a condensed serif title opens a dark set whose headings mix sans words with italic serif terms.
Italic serif captions sit over blurred warm photo backgrounds, and the sequence closes on a near-black frame with a quiet typographic line.
Black frames pair centered white headlines with floating cards, stacked 3D coins and lifestyle photography, with legal fine print along every bottom edge.
A purple-to-orange dusk gradient with mountain silhouettes runs under every frame, opening on press logos and a large morning-person headline.
Near-black frames hold a fixed headline-over-phone layout, with neon yellow-green accents repeating the icon color across charts and chat bubbles.
Black frames with small green headings present long-exposure photographs inside older phones, closing on a sparse grid of technology icons.
Deep purple cosmic backgrounds scatter 3D planets and food stickers around dark cards, opening on a large serif headline and press logos.
Black frames place a two-line headline with a yellow highlighter mark over one phrase above a white phone, repeated through the whole set.
A deep teal background carries a hand-drawn line between frames, with yellow script words, bold caps captions and a photographic opening.
Black frames mix serif italic accents into sans headlines, alternating full phones with bleeding photo grids, template strips and social icons.
